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Archive for august 2017

(Click here for the English translation below.)

(Vestlandsnytt 18. august 2017. Nettversjonen sløyfar namn på andre familiemedlemmer, og vert lagd ut på bloggen på dagen eitt år etter at vi bar han til grava.)
 

GardNo i midten av august er det eitt år sidan bror min døydde, og 44 år sidan han vart fødd, Gard Abrahamsen Tuur-Eggesbø, tidlegare Gard Eggesbø Abrahamsen. Eg vil fortelje litt om han i rollene som bror, fagmann og menneske.

Eg var tre år gammal, men eg hugsar at eg tok mor mi på magen for å kjenne på babyen som sparka. Så vart han fødd, og eg hugsar at vi vitja mor og barn. Eg hugsar at vi trilla han i barnevogn, og eg hugsar fyrste gongen eg skuva til han så han datt på rumpa.

Som små sat vi ofte i same lenestol og såg Barne-TV og anna saman. Ein gong vart eg sur på han fordi han røpte ei overrasking nokre sekund før tida, nemleg fyrste ordet i namnet på programmet som snart byrja, «Universet». Eg sat der og venta med attlatne auge, men han var fem år, og hadde nettopp lært å lese, på eiga hand. Han har sidan gjeve storebror æra både for å lære han alfabetet munnleg i forvegen, og for seinare å introdusere han for datamaskiner og programmering.

Vi både krangla og leikte saman, sjølvsagt, og di eldre vi vart, di meir følte vi også på omsorga for kvarandre, anten det var ein ramp som hadde gjort ein av oss noko, eller det var foreldra våre som hadde grunn til å vere misnøgde. Ein gong tok han imot tidenes skjennepreike for telefonrekninga, utan å røpe at storebror var den skuldige. Ein annan gong skreiv eg ein seks sider lang rapport til hans forsvar, der eg problematiserte forståingsgrunnlaget for den påstanden at dagens ungdom sløser med pengane. Som ungdommar og unge vaksne spelte vi inn absurde humorvideoar saman (og saman med andre venner), eller gjennomførte diktanalyse på musikkvideoane frå MTV til langt på natt.

Som vaksne var den geografiske avstanden større, men det var alltid godt å snakkast. Vi hadde dessutan felles interesser, gav gjensidige råd, hjelptest åt, og hadde felles humor (av og til så intern eller sær på andre måtar at berre vi to forstod moroa fullt ut). Då Gard fekk sitt fyrste nettdomene, laga han ei feilmeldingsside med bilete av morgongretne meg i senga og teksten: «This page has not been awakened.» Då storebror fekk problem med den fyrste bilen, så stilte lisjebror med pengar. Då eg vart saman med henne som eg no er gift med, var Gard den fyrste som fekk vite det.

Gard programmerte frå han var 10 år gammal. I 1990, han hadde enno ikkje fylt 17, reiste vi saman til Unge Forskere-konkurransen i Oslo, der han vart premiert for eit komprimeringsprogram, og eg for noko språkleg. Han laga og fekk på nett ein av Noregs aller fyrste webserverar i 1994 (altså serverprogramvara), medan han studerte ved dåverande Møre og Romsdal ingeniørhøgskole. Dette tok høgskulen på senga, og førte til at han same år fekk ansvar for å setje opp den fyrste offisielle webserveren til det som den sommaren hadde vorte Høgskolen i Ålesund.

Våren 1995 var 21-åringen Gard med på å setje opp den fyrste vevtenaren til Møredata, med dei fyrste nettsidene til møbelindustrien i Sykkylven, som brukte hans tenarprogramvare. Også på høgskulen var programvara hans i bruk. Seinare det året laga han nettløysingar og nettsider for Ålesund bibliotek, m.a. med søk i bokbasen, og han hjelpte til med datainfrastrukturen i Ålesund kommune.

Den hausten, no 22 år gammal, vart Gard tilsett som spelprogrammerar i firmaet Gray Matter i Toronto, Canada. Eit par år seinare flytta han til Marietta utanfor Atlanta i USA som systemutviklar i MSI Solutions, og vart m.a. send på oppdrag til New Zealand, der han arbeidde med det nettbaserte fakturasystemet til New Zealand Post.

Men han hadde også eit liv utanfor datamaskina: Han byrja å skrive dikt og noveller som tenåring. Som 18-åring dikta han opp ein mytologi som bakgrunn for eit tidsskrift han gav ut på diskett. Det var mykje ein spøk, ja, men filosofien der om vidsyn og om inkluderande toleranse for andre menneske forheldt han seg medviten til resten av livet. I 1996 gifta han seg elles med den fyrste kona si (ein viktig grunn til å flytte vest for Atlanterhavet). Dei vart sidan skilde. I 1999 var Gard representert med eit dikt i ein amerikansk diktantologi.

Firmaet i Marietta vart kjøpt opp av Eclipsys i 1999, og Gard valde året etter å flytte tilbake til Toronto som programutviklar i Zox Technologies. I 2001 kom han tilbake til Noreg, og var tilknytt eit IT-firma i Ålesund, by.com. Samstundes starta han som konsulent i sitt eige IT-firma Stuffy Rabbit (humoristisk namneval med forhistorie), forgjengaren til det seinare føretaket Trollsilm. I 2003 fekk han jobb som IT-ansvarleg på Samisk vgs. og reindriftsskole i Kautokeino, og medan han budde der, gav han ut ei diktsamling på eige forlag. Undervegs hadde han byrja å måle. Han gifta seg med noverande kone i 2007, og endra samstundes etternamnet sitt. I 2008 flytta han tilbake til barndomskommunen Herøy med kona og då eitt barn. Der var han tilsett i stillinga som IKT-leiar i kommunen i 2008–2015, og fekk etter kvart oppleve arbeidsmiljøet i organisasjonen.

Mobbing er ein type overgrep som vi delte både røynsler med og interesse for. I 1999 samarbeidde vi om å starte e-postlista «Mobbelista» for mobbeutsette, bygd med Gards programvare for anonymisering av innlegg. I 2003 tok han initativ til lokalmøte for medlemmer av Mobbelista i Ålesunds-området. Fleire har fortalt meg at Gard har hjelpt dei etter mobbing eller andre vanskelege røynsler. Eg veit at han også hadde konkrete planar om meir systematisk mobberelatert arbeid, men han rakk det ikkje før han døydde.

I Kautokeino fekk han kjærleik til det samiske, og han melde seg etter kvart inn i samemanntalet då han fekk vite om ein del av slektshistoria som tidlegare generasjonar hadde gløymt. Han vart ein fantastisk far til fire kjekke gutar. Han snakka engelsk, tysk, estisk, litt nordsamisk, og var i gang med fleire andre språk. Han spelte fleire musikkinstrument, dei fleste byrja han med i vaksen alder.

Han sykla frå Paris til Amsterdam i 2011. Den fyrste lange sykkelturen hans hadde gått frå Montréal til Toronto i 1997, og han planla ein sykkeltur frå Milano til Taranto i Italia til tjueårsjubileet i 2017. Og eg var stolt av han då han skreiv det halvsidelange innlegget i Vestlandsnytt den 10. februar 2009 med tittel «Eg har vore mobbeoffer», der han nemnde seg sjølv berre knappast. Innlegget hans var sakleg, reflektert og informativt, og han fekk fort telefon frå ein skule der dei hadde diskutert konsekvensane av det som han hadde drøfta.

Han skreiv gjennomtenkte bloggpostar, mellom mykje anna om digitale distraksjonar, mobbing generelt, mobbing i arbeidslivet, dikt, langdistansesykling, sykling med astma, og om konsulentbruk og møtemaraton i det offentlege. Ein av dei siste bloggpostane hans handla om verdien av å lære om vektorar. For dersom du kan om vektorar, fortel han, så er det mykje enklare å programmere Playstation-spel med blodsprut.

Gard var oppteken av at alle skulle behandlast skikkeleg, jamvel dei som hadde gjort han vondt, elles ville jo vondskapen vinne. Dei som kjende han, skildrar han mellom mykje anna som snill, omtenksam, påliteleg og med solid integritet, inkluderande og fordomsfri, tolmodig, reflektert, leiken, indignert når andre vart behandla stygt, ein gledesspreiar, og full av overraskingar. Overraskingar ja? Ein venn på Canada-tur fekk eit plutseleg jobbintervju takka vere Gard. Sjølv fekk eg ei overrasking frå han ein morgon då telefonen ringde frå eit sesongstengt museum som opna dørene til utstillinga fordi eg og kona var i området.

Framfor alt vil mange såleis hugse Gard nettopp fordi han brydde seg. Mottoet hans på visittkortet var «Make a difference, not indifference». Og slik levde han.

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Tidlegare: Bror minSorg13. augustEpilog til spelelista

 
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In English: In memory of my brother

(The original Norwegian text was printed in the newspaper Vestlandsnytt on 18 August 2017, one week ago. It is posted on my blog one year after the day when we carried him to his grave. In the online version, the names of other family members have been left out. Gard had many friends who do not understand Norwegian, and I have written this English translation for them. Some nuances will inevitably be lost, and there may of course be a certain element of Norwegian accent.)
 

GardThese days in the middle of August, one year has passed since my brother died, and 44 years since he was born, Gard Abrahamsen Tuur-Eggesbø, previously Gard Eggesbø Abrahamsen. I wish to tell a few things about him in his roles as a brother, a professional and a human.

I was three years old, but I remember touching my mother’s belly to feel the baby kick. He was born a few months later, and I remember that we visited my mother and my brother. I remember him in the pram, and I remember the first time I pushed him so he fell on his behind.

As small children, we often sat in the same chair watching television together. One evening, I got irritated at him because he had revealed a surprise just a few seconds too early, it was the first word of the tv programme that was about to begin: “Universet” (The Universe). I had closed my eyes in order to get surprised, but he was five years old and had just learnt on his own how to read. Later, he has given me credit both for teaching him the alphabet orally in advance, and for introducing him to computers and programming at a later stage.

We both quarrelled and played together, of course, and as we grew, also our care for each other grew, whether a badly behaved kid had done something to one of us, or it was our parents who had a reason to be dissatisfied. I remember once when he was given the rebuke of a lifetime for the phone bill, without revealing that his big brother was the guilty one. At another point in time, I wrote a six page report defending him, where I questioned the basis for the proposed understanding that the youth of today waste money. As teenagers and young adults, we recorded absurd humour videos together (and together with other friends), or we analysed the lyrics of MTV music videos until late at night.

As adults, the geographical distance was bigger, but it was always good to talk. Besides, we shared interests, gave each other advice, helped each other, and we had our common sense of humour (at times, it would be so strange, or the references would be so private, that only the two of us would fully understand the fun of it). When Gard got his first internet domain, he made a 404 page with a picture of me, grumpy in my bed one early morning, and the words: “This page has not been awakened.” When big brother got a problem with his first car, little brother provided the money. When I met my wife and became her boyfriend, he was the first to know.

Gard started programming when he was 10 years old. In 1990, he was still not 17, we went to the Young Scientists Contest in Oslo, where he was awarded for a compression program and I for something linguistic. He created and got online one of Norway’s very first web servers in 1994 (that is, the server software), while he was still a student at the college of engineering. This caught the college off guard, but as a result, the college asked him to install their first official web server later that year.

During the spring of 1995, the 21 year old helped install the first web server of the company Møredata, hosting the first web pages of the local furniture industry; they used his server software. His software was also utilised at the college. Later that year, he made web infrastructure and web pages for the Library of Ålesund, among other things with a search solution for the book database, and he helped develop the computer infrastructure for Ålesund Municipality.

That autumn, he was now 22, Gard was employed as a programmer at Gray Matter in Toronto, Canada. A couple of years later, he moved to Marietta near Atlanta in the US to be a systems developer at MSI Solutions, where they sent him to New Zealand to work on New Zealand Post’s online billing system.

But he also had a life outside the computer: He started writing poems and short stories as a teenager. At 18, he invented a mythology as the basis for a periodical that he published on floppy disks. Although much of this was meant as a joke, for the rest of his life he kept living by his mythology’s philosophy about inclusiveness and tolerance for other humans. In 1996 he also married his first wife (an important reason to move west of the Atlantic). They later divorced. In 1999, one of Gard’s poems was printed in an American antology of poetry.

The company in Marietta was acquired by Eclipsys in 1999, and Gard chose to move back to Toronto in the year 2000 to work as a software developer at Zox Technologies. He returned to Norway in 2001, where he was affiliated with an IT company in Ålesund, by.com. He also started his own IT company, Stuffy Rabbit (a humorous name with a history behind it), the predecessor of his later company Trollsilm. In 2003 he moved to Kautokeino/Guovdageaidnu to work as the chief technology officer at the Sámi High School and Reindeer Husbandry School. While he lived there, he published a collection of poetry. At some time, he had also started painting. He married his present wife in 2007, and also changed his last name accordingly. In 2008 he brought his wife and their child to Herøy, where he had grown up. He held the position as the chief technology officer at the municipality from 2008 to 2015, and got to experience certain workplace environment factors.

We shared experience with, and an interest in, the phenomenon that is bullying. In 1999, we started the “Mobbelista” (Bullying List) electronic mailing list together, for people who had been or were bullied; the list used Gard’s software to anonymise the e-mails. In 2003 he took the initative to local meetings for members of Mobbelista in the Ålesund area. Several have told me that Gard has helped them after bullying or other difficult experiences. I know that he also had concrete plans to work more systematically with bullying, but he died before he had the chance to realise those plans.

In Kautokeino/Guovdageaidnu, he fell in love with Sámi culture, and he was eventually enlisted in the Sámi electoral register after he was made aware of a part of our family’s history that previous generations had forgotten. He became a splendid father of four wonderful boys. In addition to his native language, Norwegian, he spoke English, German, Estonian, somewhat Northern Sámi, and he had begun learning several other languages. He played several musical instruments; most of them he started learning as an adult.

He biked from Paris to Amsterdam in 2011. His first long bike ride went from Montréal to Toronto in 1997, and for the twentieth anniversary in 2017 he had planned a ride from Milan to Taranto in Italy. And I was proud of him when he wrote his letter to the editor covering half a page in the local newspaper Vestlandsnytt on 10 February 2009. He gave it the title “I was bullied” (alternative links: 1, 2), but mentioned himself just barely. His letter was instructive and to the point, and he was soon contacted by a school where the staff had debated the consequences of what he had discussed.

Gard wrote talented blog posts about — among many other things — digital distractions, bullying in general, bullying at work, poems, long distance biking, biking with asthma, and about the use of consultants and endless rows of meetings in public administation. In one of his last blog posts, he told about the benefits of learning about vectors. Because, if you know how to handle vectors, blood splat programming just gets so much easier.

Gard wanted everyone to be treated decently, even those who had hurt him, because otherwise evil would win. Those who knew him, describe him among many other things as kind, considerate, reliable and with a firm integrity, inclusive and unprejudiced, patient, thoughtful, playful, annoyed when others were treated badly, a ray of sunshine, and full of surprises. Surprises? One of his friends visiting Canada was suddenly invited to a job interview because of Gard. And he surprised me one morning when I got a phone call from a museum that had closed their exhibition for the season, but that day they would open the doors just for me and my wife because they knew that we were in the area.

And so, above anything else, many will remember Gard because he cared. On his business card he had written his motto “Make a difference, not indifference”. This motto describes the way he conducted his life.

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Earlier: My brotherGrief13. augustAn epilogue to the playlist

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(Click here for an English version of the blog post.)

I dag er fødselsdagen til Gard, bror min. Han ville ha vorte 44 år.

Gard var medviten om verdien av å vere tolerant og aksepterande mot andre. Så tidleg som i 1992 slo han fast (sjølv om han sa det på ein meir humoristisk måte) at dette er eitt av kjenneteikna på det å vere eit sant menneske.

Ei finurleg side ved denne tidlege filosofien hans handla om evna til å ha ein vid og tolerant musikksmak. Ja visst, dette var mellom det han nemnde i 1992, delvis som spøk, delvis alvorleg. Anten det var med overlegg eller ikkje, så vart det slik at spelelista med musikkvideoar på nettstaden hans gjenspeglar denne innstillinga. Kvar laurdag, og på somme andre utvalde dagar, viste Gard oss ein ny musikkvideo frå ein eller annan stad på jorda: pop, rock, folkemusikk, kva no sjangeren eller stilen enn var. Nye videoar på spelelista vart annonserte på Twitter, og tweeten vart også lagd ut på Facebook.

For eitt år sidan i dag, berre nokre få dagar etter at han døydde, overraska han oss med ein ny video og tilhøyrande annonsering på Twitter og Facebook, og dermed fekk vi oppdage at han hadde automatisert prosessen.

I november 2016 vart spelelista framleis automatisk oppdatert, men videoane vart ikkje lenger annonserte på Twitter og Facebook. Og den 4. februar 2017 tok også spelelista slutt. Den siste videoen var «Arrival» av Joe Taranto. («Arrival», for eit høveleg val. Nevøen hans, altså sonen min, kom til verda berre nokre dagar tidlegare.)

Som epilog til spelelista hans vil eg gjerne presentere to videoar der Gard sjølv er med, og som han sjølv har lasta opp til YouTube.

Den fyrste videoen er mest til å le av, og vert framført av han sjølv, meg og ein venn av oss. Den andre videoen er ein abstrakt elegi skriven og framført av Gard. Begge videoane er på engelsk, og var med i den tre timar lange «O.U.C.H. Home Vid’ III»-videoen frå 1993, som hadde dei to nederlendarane Stefan og Richard frå ST News som tilsikta publikum.

Vi Ar Nårvikjens

Vi to og Hans Arild Runde laga denne musikkvideoen i 1991. Nokre år seinare vart han faktisk kringkasta på NRK, om enn med sensurert handleddsskjering (i staden for å skifte ut klippet med noko anna, så bad vi dei om berre å leggje på ein tekstplakat med «sensurert»). Det var Hans Arild som komponerte musikken og spelte instrumenta, medan alle tre skreiv teksten, song han og redigerte videoen.

Det har gått mange år sidan dette, så for dei som ikkje klarer å kjenne oss att: Gard er den yngste i gruppa (nesten 18 på den tida), eg er han med skjegg (21 år), og tredjemann er Hans Arild (19 år).

I songteksten brukte vi dårleg engelsk, til dels «Norwenglish» og norsk. Vi ville nemleg gjerne imitere innstillinga «å, eg mååå syngje på engelsk» hjå folk som eigentleg snakkar andre språk. Videoen prøver generelt å gjere narr av dei kommersielle trekka og dei låge kunstnariske kvalitetane i nokre av dei musikkvideoane som vart sende på MTV. (Dagens ungdom veit det kanskje ikkje, men på den tida sende faktisk MTV musikk.) Grensa mellom parodi, ovundring og kritikk er ustabil gjennom heile videoen vår.

Også tittelen på songen gjenspeglar den parodiske tilnærminga. «Vi ar nårvikjens» vert uttalt [ˈviː ˌɑːr nɔr⁠ˈviːc͡çɛns] (vi ar nårvitsjens), dvs. på engelsk men med ein kraftig sunnmørsk aksent.

Gard skreiv ein gong ein presentasjon av videoen på engelsk, og la denne ut på ein nettstad som ikkje finst lenger. Presentasjonen hans byrja slik:

To make this music video, we spent about five weeks of summer vacation making three hours of raw footage (and a lot of other videos) and some really long nights editing. The editing equipment consisted of a VCR and a video camera. The VCR was able to record the sound track and the picture separately. However, it was very painful to synchronize the picture for lip sync.

Credits:
Hans Arild Runde: Composing song, playing all instruments (keyboard plus computer)
Gard E Abrahamsen: Video editing, computer graphics
Jardar E Abrahamsen: Rhyme, rhythm and basic insanity
All three: Lyrics, vocals, direction, camera

I ein tidleg kladd til denne bloggposten tok eg med heile presentasjonen hans av songteksten og slikt som skjedde under opptaka, saman med nokre kommentarar for eiga rekning, men dette vart rett og slett for mykje. Det kan likevel nemnast at noko av teksten alluderer til andre songar (og eit par band). Medan opningsorda «O alack» var inspirerte av William Shakespeare sånn generelt (og ikkje alluderer til ein song), så viste «Games are played in thousand homes» til songen «Games» av gruppa New Kids on the Block, og sjølvsagt til «i de tusen hjem» i ein songtekst av Bjørnson. «Beds are burning midnight oil» burde vere sjølvforklarande, medan «Hills and mountains by the sea» er «Millom bakkar og berg utmed havet». Det finst nokre referansar til.

Eg har elles ei lita tilståing å kome med. «English e et fattig språk, det. / Ryggjej verte sabla låke» er forståeleg for norskspråklege, og vert sunge på sunnmørsk, nærare sagt ein varietet av Herøy-dialekten som finst på granneøyane. Men vi ville ikkje servere direkte bannskap, så derfor valde vi ordet «sabla» i staden for «jævla» eller liknande. Tilståinga er at eg på eitt eller anna vis «gløymde» å nemne for Gard og Hans Arild at ordet «sabla» kjem historisk av ordet «Satan».

Fill the Streets

Både Gard og eg byrja å skrive dikt medan vi gjekk på vidaregåande, han nokre få år etter meg. Men medan eg skreiv med versemål og rim på den tida, brukte Gard fri rytme og ikkje rim.

Gards dikt «Fill the Streets» er eit eksperimentelt dikt, framført her med piano i bakgrunnen. Gard har notert ein stad at han skreiv dette diktet før 1. januar 1992. Vi to tok opp den siste scena, den med stearinlyset, på rommet mitt eit år seinare, nyårsaftan 1992, og vi redigerte videoen ferdig neste dag, 1. januar 1993.

Eg veit dette ikkje berre fordi eg hugsar det (og eg hugsar det), men også fordi dette er ein av dei aller siste videoane i O.U.C.H. Home Vid’ III. Og i eit sanntidsbrev som vi skreiv saman i dei tidlege timane den 2. januar 1993, fortel Gard i innleiinga: «I take my computer to the kitchen after having completed O.U.C.H. home-vid’ III».

I videoen «Fill the Streets» les Gard sitt eige dikt, og det er også han som speler piano.

Gard har ikkje vilja fortelje så mykje om si eiga tolking av diktet. Han ynskte at publikum skulle få oppleve det på sine eigne premissar. Eg vil respektere dette, og seier då heller ikkje korleis eg sjølv les diktet. Men eg trur dei fleste vil sjå det som ein slags klagesong eller elegi. Då han døydde, kom eg stendig tilbake til verselina «They die so young».

Dette poetiske verket var den fyrste videoen Gard lasta opp til YouTube. Det skjedde på fødselsdagen hans i 2006, for elleve år sidan i dag.

Dei to videoane i denne bloggposten viser dei kunstnariske ytterpunkta i Gards liv: den humoristiske og leikne enden av skalaen, og dei alvorlege, djupe, abstrakte ideane som aldri kan uttrykkjast eksplisitt.

Vi saknar deg, Gard. Spelelista di har teke slutt, men eg skal fortelje om deg så lenge eg lever. Eg saknar deg, lisjebror.

 
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In English: An epilogue to the playlist

(I have written the English version of the epilogue because Gard had many friends around the globe, not least in Canada and the US, where he lived for some years. English is not my native language, and in addition, some of the nuances will inevitably be lost.)

Today is my brother Gard’s birthday. He would have turned 44.

Gard was conscious about the values of being tolerant and accepting towards others. As early as 1992, he stated (though he did so in a more humorous way) that this is one of the signs of being a true human.

One almost surprising side of his early philosophy concerned the ability to have a wide and tolerant taste of music. Certainly, this was among the things he mentioned in 1992, in part as a joke, in part seriously. Whether it was deliberate or not, the music video playlist on his website mirrors this attitude. Every Saturday, and on some other selected days, Gard presented us with a new music video from somewhere on the planet: pop, rock, folk, whatever the genre or style. Each new video was announced on Twitter, and the tweet was also posted to Facebook.

One year ago today, only a few days after he died, he surprised us with a new video, which was also announced on Twitter and Facebook, and so we discovered that he had automated the process.

In November of 2016, his playlist was still automatically updated, but the announcements on Twitter and Facebook had stopped. And on 4 February 2017, also his playlist came to an end. The last video was “Arrival” by Joe Taranto. (“Arrival”, what an appropriate choice. His nephew, my son, arrived to this world only a few days earlier.)

As an epilogue to his playlist, I want to present two videos where Gard himself was involved, and which he himself has uploaded to YouTube.

The first video is a huge laugh performed by himself, me and a friend. The second video is an abstract elegy written and performed by Gard. They are both in English, and were included in our three hour long “O.U.C.H. Home Vid’ III” from 1993, which had the two Dutchmen Stefan and Richard from ST News as intended audience.

Vi Ar Nårvikjens

The two of us and Hans Arild Runde recorded this music video in 1991. A few years later it was actually broadcast on national television in Norway, although with the wrist-cutting clips censored (instead of replacing the clips, we asked that they simply black them out and write “sensurert”, i.e. ‘censored’, on the screen). The music was composed and the instruments played by Hans Arild, while all three of us wrote the lyrics, song it, and edited the video.

Many years have passed since then, so for those who are not able to recognise who is who: Gard is the youngest member of the group (almost 18 at the time), I am the one with a beard (21 years old), and the third one is Hans Arild (19 years old).

For the lyrics, we used a terrible form of English, in part Norwenglish and Norwegian. The reason was that we wanted to mimic the “oh I need to sing in English” attitude of non-native speakers of English. The video in general tries to poke fun at the commercial characteristics and low artistic quality of some of the music videos broadcast on MTV. (Young people may be surprised to learn that MTV actually aired music at the time.) The boundary between parody, admiration and critisism is unstable throughout our video.

The title too mirrors our parodic approach. “Vi ar nårvikjens” is pronounced [ˈviː ˌɑːr nɔr⁠ˈviːtʃɛns] (vee are norveechens), which is how people from our district would pronounce “We are Norwegians” if we add an extra dash of Norwegian accent to it.

Gard once made a presentation of the video in English, and published it on a website that is no longer online. His presentation started like this:

To make this music video, we spent about five weeks of summer vacation making three hours of raw footage (and a lot of other videos) and some really long nights editing. The editing equipment consisted of a VCR and a video camera. The VCR was able to record the sound track and the picture separately. However, it was very painful to synchronize the picture for lip sync.

Credits:
Hans Arild Runde: Composing song, playing all instruments (keyboard plus computer)
Gard E Abrahamsen: Video editing, computer graphics
Jardar E Abrahamsen: Rhyme, rhythm and basic insanity
All three: Lyrics, vocals, direction, camera

In an early draft of this blog post I included his entire presentation of the lyrics and things that happened while we recorded the song, with a few comments of my own, but this was truly too much. It can be mentioned, though, that some of the lyrics refers to other songs (and a couple of bands). While the opening words “O alack” were inspired by William Shakespeare in general (and do not refer to a song), “Games are played in thousand homes” refers to the song “Games” by New Kids on the Block, and “i de tusen hjem” (in the thousand homes) of the Norwegian national anthem. “Beds are burning midnight oil” should be self-explanatory, while “Hills and mountains by the sea” is understandable only to Norwegians (Millom bakkar og berg utmed havet). There are also a few other references.

I also have a small confession to make. “English e et fattig språk, det. / Ryggjej verte sabla låke” translates as ‘English is a poor language. / The back begins to hurt a lot’. This is in our local dialect of Norwegian, or rather in a variety of our dialect spoken on the neighbouring islands. We didn’t want to be too explicit in our swearing, though, so we chose “sabla” (extremely) instead of words like “jævla” (bloody; literally: devilishly) or similar. My confession is: I somehow “forgot” to mention to Gard and Hans Arild that the etymology of “sabla” is actually “Satan”.

Fill the Streets

Both Gard and I started writing poems while in high school, I first, then he a few years later. But while I wrote with metre and rhyme at the time, Gard used free verse and no rhymes.

Gard’s poem “Fill the Streets” is an experimental poem, performed here with a piano in the background. Gard has noted somewhere that he wrote the poem before 1 January 1992. The two of us recorded the final scene, the one with the candle, in my room one year later, on New Year’s Eve in 1992, and we finished editing the video the next day, 1 January 1993.

I know this not only because I remember (and I do remember), but also because this is one of the very last videos of O.U.C.H. Home Vid’ III. And in a real-time letter that the two of us wrote during the early hours of 2 January 1993, Gard states in the introduction: “I take my computer to the kitchen after having completed O.U.C.H. home-vid’ III”.

In the video “Fill the Streets”, Gard is reading his own poem, and he is also the one playing the piano.

Gard has been reluctant to give any details on his own interpretation of the poem, as he wanted people to experience it on their own terms. I will respect this and won’t say how I read the poem; I still believe most of us will see it as some kind of lament or elegy. When he died, I kept thinking of the line “They die so young”.

This piece of poetry was the first video that Gard ever uploaded to YouTube. He did so on his birthday in 2006, eleven years ago today.

The two videos in this blogpost demonstrate the artistic extremes of Gard’s life: the humorous and playful end of the scale, and the serious, profound, abstract ideas that can never be expressed explicitly.

We miss you, Gard. Your playlist has come to an end, but I will keep telling your story for as long as I live. I miss you, little brother.

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13. august

rose

Biletet er frå grava hans tidlegare i sommar.
The photo is from his grave earlier this summer.

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